In my hairdrawings I use human hair and parafinepaper for tactile and minimalistic, fragile drawings. I play with words, humor and contrast to sew the thinnest lines into nearly invisible but sometimes three-dimensional work. Hair offers a wide range of connotations, history, sentiments and individual stories, and is at the same time cheap and strong, highly aesthetic material to work with. Used themes and concepts go beyond the gimmick of unusual material.